Patricia Lyfoung

Masterfully blending the conventions of Franco-Belgian comics with the manga style she particularly loved, Patricia Lyfoung succeeded in creating a narrative style that brought a breath of fresh air to children’s comic art. Her sense of visual storytelling, drawn from her background in animation, is particularly effective in fencing scenes, where she combines theatricality, dynamism, and expressiveness. 

To preserve your works on paper, we recommend that you never expose them to direct light, as UV rays can damage the mediums used. Paintings made with pastel or charcoal require special care to avoid rubbing.
We advise you to display them away from windows, and to use frames made from pH-neutral conservation materials and “Museum” glass with anti-UV and anti-reflective treatment. If you prefer to keep your works unframed, we recommend storing them flat, in drawing cartons, with sheets of pH-neutral permanent paper in between. Keep them away from light and humidity.

Born into a family of eight children, Patricia Lyfoung studied at the École Estienne and then at Gobelins, before starting her career in 2001 as a storyboard assistant at Marathon Animation. In 2005, she made the transition to comic art with La Rose écarlate (The Scarlet Rose, Delcourt), a bestseller that sold over 1.2 million copies, blending Franco-Belgian structure with manga aesthetics, drawing inspiration from Lady Oscar and mangakas such as Rumiko Takahashi. She went on to develop several successful series, including Les Mythics (2018), co-written with Philippe Ogaki and Patrick Sobral. She passed away in January 2025 at the age of fory-seven, leaving behind a landmark body of work in French children’s comic art. Complete biography.